Categories
Barnes & Noble Review

In the Graveyard of Empires

A review of Seth G. Jones’s In the Graveyard of Empires, in the Barnes & Noble Review.

 

A few years ago, the Turkish defense minister bragged that the Turkish contingent in the International Security Assistance Force (ISAF) had finished an entire tour in Afghanistan’s Wardak province without firing a shot. To some, including his intended audience of Turks, this boast was cause for approval and appreciation. To others — presumably the battle-weary American soldiers who complained bitterly that ISAF had come to stand for I Saw Americans Fight — the boast demonstrated all that was wrong or bogus about the NATO effort in Afghanistan, and epitomized the woes that the Americans would eventually have to redouble their efforts to repair. 

Categories
Barnes & Noble Review

Encounters in the Changing Middle East

Review of Neil MacFarquhar’s The Media Relations Department of Hizbollah Wishes You a Happy Birthday, in the Barnes & Noble Review.

On October 3, 1997, New York Times correspondent Neil MacFarquhar was bicycling down Fifth Avenue and got hit by a bus. This was a bad day for MacFarquhar but, in a strange way, a lucky one for journalism. After a coma and long recovery, MacFarquhar returned to work with lingering frailty and a permanent medical excuse never to cover another war. His Sarajevo and Kabul days over, he moved to Cairo in 2001 and reported on the parts of the Middle East most underserved by foreign journalists, namely the parts that are not war zones.

Categories
Barnes & Noble Review

The Great Gamble

Originally appeared in The Barnes & Noble Review.

To stumble into Afghanistan is to stumble into history — or at least to stumble into a trap laid by historians, whereby any foreign occupier of the country is compared, all too tediously, to his failed predecessors. Notice the hierarchy of these comparisons. If the historian draws parallels to the armies of Alexander the Great, he does you an honor: Alexander’s empire had at least conquered the known world before Afghanistan undid it. Analogies to the Anglo-Afghan Wars and Elphinstone’s army in 1842 are less flattering, and more menacing. And if the historian remarks that your unit is “just like the 154th Spetsnaz Detachment,” he is saying not only that you’re doomed to ignominious defeat but also that you’re too historically ignorant to realize when you’re being insulted.

Categories
Atlantic Monthly

The Fatal Cure

David Foster Wallace, a postmodern writer and Atlantic contributor, hanged himself Friday.

 

Kurt Vonnegut, a novelist who practically begged to be put on suicide watch, thought that writing novels was a treatment for depression, if not an outright cure. Blues music, he suggested, was analogous: a way of palliating an intolerable condition by transmuting it into art. A clinical study at the University of Iowa supported the theory that depression runs in the families of writers, and a wide array of anecdotal evidence (I would cite the film Crumb) suggests that practicing an art can, if the artist is lucky, save him from the fate of his relatives.

Categories
Atlantic Monthly

A Question for Islam

Excerpts from Sherry Jones’s The Jewel of Medina do not make it sound like fiction worthy of the novel’s latest defender, Salman Rushdie. Denise Spellberg, an Islamic historian who reviewed the manuscript, called it “soft-core pornography,” and “ugly” porn at that. Consider a first-person passage from Aisha, who, according to some traditions, married Muhammad at age 6 and had sex with him at 9:

This was the beginning of something new, something terrible. Soon I would be lying on my bed beneath him, squashed like a scarab beetle, flailing and sobbing while he slammed himself against me. He would not want to hurt me, but how could he help it? It’s always painful the first time.

Yeesh. But do these sentences sound grotesque because of the author’s prose, or because of her subject?

Categories
Atlantic Monthly

Notes from the First-Class Car

Theroux has been writing travel books for 35 years, and for almost as long, reviewers have been slandering him (repetitively — they hunt in packs) as “prickly,” ornery, or otherwise disagreeable. I must be unusually tolerant. To me, Theroux seems a model of evenness, neither too crabby nor too tolerant. More to the point: Have these reviewers ever traveled? Long-term travel is misery and loneliness. It is trips in buses where children puke out the window, in filthy boats captained by drunk Albanians, in trains where porters warn you to keep your windows open, so thieves can’t gas you as you sleep. It is grim hotel rooms with stained sheets. A little crabbiness is the only sane response.

Categories
San Francisco Chronicle

Hail to the Chief Scientist

Originally appeared in The San Francisco Chronicle.

Physics for Future Presidents: The Science Behind the Headlines

By Richard A. Muller

W.W. Norton; 380 pages; $26.95

The late William F. Buckley famously said he’d rather be governed by the first 2,000 people in the Boston phone book than by the faculty of Harvard University. No one, to my knowledge, ever asked him to choose between the Berkeley phone book and the UC Berkeley faculty. I suspect the conservative Buckley would have held his nose and opted for the faculty – if only in hopes that a few right-wing economists might compensate for the liberal yahoos that he imagined made up the rest of the professoriat, to say nothing of the population at large.

Categories
Atlantic Monthly

Thomas Disch, RIP

Endzone, Disch’s blog, was one of the Web’s cheeriest and one of its darkest. It derived its cheer from a reckless, desperate wit, often expressed by ridiculing, lampooning, or harassing enemies and professional associates who had crossed him. The ancient blogger wisdom about counting to a thousand before posting a personal attack seemed not to have reached him, and the effect was amusing and bracing. When an editor at FSG rejected an introduction he had written to the poems of Allen Tate, Disch responded with a short verse-cycle, childish and pissy, denouncing the editor, quite unfairly, by name. (Disch could write well about other people’s poetry, but he was an eccentric choice for a Tate introduction.)